“I know everybody is gonna take this wrong: ‘We Are the World,’ I love it, and I understand the point and think it’s great. But I think ‘We Are the World’ is like ‘Thriller’ to me. I don’t ever wanna see it touched…I know the plight and everything that’s going on in Haiti…So I appreciate the efforts and everything, but ‘We are the World’ is untouchable like ‘Thriller’ is untouchable. Some things are just untouchable. It was a valiant effort, but for me, it’s gonna be untouchable.” Jay-Z via MTV news
Clearly, Jiggs thinks the song is untoucable.
Normally, I’m too busy looking for satanic verses from Shawn Carter to get caught up in the rapture of his hyperbole & witticism. I may not understand why he’d sport Aleister Crowley sayings across his chest, or agree on his family values but for lack of a better pun, right now I’m, uhh, off that. I’ll agree that the ‘We Are The World’ redo was a bit puzzling. If I didn’t know better, I’d think that Quincy Jones’ senility got the best of him, & he thinks he’s putting the finishing touches on the original. Especially with a ghost in the machine. In all fairness, Haiti needs our help, & will for quite some time. But, with America being the home of copious amounts of talent (read: BIG ASS EGOS), seems we could’ve done better than to rehash a masterpiece. Sloppy seconds, so to speak.
1) Good Intentions.
-I’m a lover of Hip Hop, just as much as the next guy. Unless the next guy is Bill Mahr. Even still, there are some places rap music has no business being in. Like porn. Or church. This song is no exception. All the rappers involved should’ve/could’ve done a rap tribute, hell, an entire album for that matter. Those misguided niggas record diss songs back & forth within hours of each other. Word? Y’all couldn’t crank out a few “hot 16’s” for Haiti? Even a ‘We Are…’ rap version may have faired as well as any hodge podge mix-n-match of scratch-n-sniff artists. & let us not forget, that would’ve been another record to sell, thus more money to send to Haiti. Surely if these professional dancers can get it in, in Ohio, y’all dudes can leave the stoops of your million dollar studios for a good cause.
2). Classic Material.
-Jay-Z said it perfectly. “Untouchable.” Imagine if some douche nozzle re-did the Statue of Liberty. Right next to the OG version. Except, it has different color paint, smaller proportions, & now, she’s donning a winking eye, & a toothpick in her mouth. Everytime you looked up at the original, you’d look back at the second issue, with a little disdain, until it grew into disgust. Watch both videos back to back. Then wipe the disdain from your chin. Even though pairing Jay & Bono felt unnatural, like bacon bits on an ice cream sundae, at least they offered up new material. God forbid Jay-Z recycles anything musically. Cough, cough.
3). The Injury’s Insult.
-I get the basic gist of doing the song. & God bless Nicole Richie’s step dad & QDIII’s pops for stepping up & reminding the world that America cares about it’s fellow man. But, did the video really need a dead man in it? Look, I’m all for memorializing, but hasn’t Haiti had enough death, without a digitized, virtual corpse creeping everybody out? Maybe it’s just me, but when my grandfather died, the last thing I wanted was for his image to show up on home video singing ‘Happy Birthday’ to me, next to my uncle. Just saying.
I respect the fact that Jay didn’t wanna piss in the corn flakes of yesteryear. But damn, I would’ve at least been in the video, handing out water bottles or something. Imagine how many more albums Kanye West could’ve sold if he had just showed up to that telethon. White people don’t even like him. But they love some Jay-Z.
Well. Maybe a little less, now.